The eye for innovation [electronic resource] : recognizing possibilities and managing the creative enterprise / Robert Price.
- 作者： Price, Robert M., 1930-
- 其他作者：
- 出版： New Haven [Conn.] : Yale University Press c2005.
- 主題： Control Data Corporation--History. , Creative ability in business. , Information technology. , Technological innovations--Management. , Electronic books.
- ISBN： 9780300130553 、 030010877X (hardcover : alk. paper)
- URL：
PQ電子書(原MyiLibrary)
電子書(校外)
- 一般註：Includes bibliographical references (p. 305-310) and index. Habitats for innovation and their inhabitants -- The once and future company -- On the edge of the possible -- Meeting vital needs -- Fostering the courage to innovate -- Building a framework for innovation -- Technology, innovation, and strategy -- Journeys in strategic space -- The care and feeding of strategy-the technology food chain -- Forging a strategic journey: the decision trichotomy -- Collaborate to compete -- The art of acquisition -- "Make": relying on internal resources -- Accepting daring and unusual challenges -- Strategies for the unexpected and the unusual -- When it hits the fan: perilous journeys-innovation in times of crisis -- Innovating beyond the walls -- Extraordinary innovation, extraordinary collaboration. 96年度中區共購共享電子書
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讀者標籤：
- 系統號： 000280634 | 機讀編目格式
館藏資訊
Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society's value system, Richard Stites explores this dramatic shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and exserfs created or performed. Against this background, Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theatres to the imperial stages. Drawing on extensive archival research, Stites's richly detailed book re-visualises the culture of a flamboyant era and offers new perspectives on the origins of Russia's nineteenth-century artistic prowess.
