Economics of art and culture [electornic resources] invited papers at the 12th international conference of the Association of Cultural Economics International edited by Victor A. Ginsburgh.
- 其他作者：
- 出版： Amsterdam : Elsevier 2003.
- 叢書名： Contributions to economic analysis ,v. 260
- 主題： Arts--Economic aspects , Business & Economics--Industries , Business & Economics--Economics , Economics , Cultural studies
- 版本：1st ed
- ISBN： 9781849508438
- URL：
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- 一般註：Includes bibliographical references 99年度中區共購共享電子書 Music as a commodity : creating a market in 18th-century London / Rosamond McGuinness -- The test of time : does 20th century American art survive? / William M. Landes -- The credibility of cultural economists'advice to governments / Alan Peacock -- Quantifying quality and other problems / Timothy Mason -- Who owns cultural goods? The case of built heritage / Franðcoise Benhamou -- Independent film finance, pre-sale agreements, and the distribution of film earnings / W. David Walls -- Motion picture directors : luck, talent and rewards / Arthur De Vany -- The relationship between regional and national policies in the arts / Romilda Rizzo -- Making a list : information as a tool of historic preservation / J. Mark Schuster -- Are they all crazy or just risk averse? Some movie puzzles and possible solutions / S. Abraham Ravid -- Measuring the cultural discount in the price of exported U.S. television programs/ Adam Finn -- Attitudes toward advertising and price competition in the press industry / Nathalie Sonnac -- Art dealers in Holland / John Michael Montias -- Auctioning paintings in late seventeenth-century London : rules, segmentation and prices in an emergent market / Neil De Marchi
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- 系統號： 000218741 | 機讀編目格式
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摘要註
This volume contains a large selection of the invited papers given at the Twelfth Conference of the Association of Cultural Economics International held in Rotterdam in 2002. Two sessions were devoted to what came to be called the cultural industries (movies, television, media, etc.). Two dealt with the history of art and music markets. The last two were more policy oriented. One was devoted to the management of built heritage which becomes larger every year, and will be in need of more and more public funding. The invited speakers in the last session had spent, or are still spending, some or most of their time in the real world, and try to discuss how cultural economists can contribute to alleviate the hard life of those who have to manage culture.Choices necessarilymeant that manyfields in which active research is alive were not dealt with, in particular, the contemporary functioning of art markets, artists' labor markets, museums and their management, aesthetic choices and tastes, the meaning of quality in the arts, etc. In this volume, the papers given in the six sessionsare reshuffled and grouped into three parts: the cultural industries, historical aspects, and policy issues including the management heritage
