Contemporary art and capitalist modernization [electronic resource] : a transregional perspective / edited by Octavian Esanu.
- 其他作者：
- 出版： New York, NY : Routledge 2021.
- 叢書名： Routledge advances in art and visual studies
- 主題： Art, Modern--20th century. , Art and society--History--20th century. , Regionalism and the arts. , ART / History / Contemporary (1945-) , Electronic books.
- ISBN： 9781003044345 (ebook) 、 9780367490737 (hardback) 、 9781000180237 (electronic book ;EPUB) 、 9781000180176 (electronic book)
- URL：
電子書(校內)
電子書(校外)
- 一般註：Includes bibliographical references and index. Towards a historical understanding of post-Soviet presentism / Angela Harutyunyan -- Rabinec Studio : the commodification of art in late socialist Hungary, 1982-83 / Kristóf Nagyart -- Al-Nitaq festival of art, Cairo 2000 and 2001 / Dina A. Mohamed. 113年度臺灣學術電子書暨資料庫聯盟採購
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讀者標籤：
- 系統號： 000314707 | 機讀編目格式
館藏資訊
摘要註
"This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption - called "contemporary art" - emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part One is methodological and theoretical in scope, while Part Two is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies"--
